Robert Elswit, ASC reteams with director Paul Thomas Anderson on There Will Be Blood, the saga of an unsociable oil prospector who strikes it rich but loses his soul.[...]
The production employed a range of Panavision anamorphic lenses that were modified for the filmmakers by lens designer Dan Sasaki, who has since joined A&S Precision to create lenses for Dalsa Digital Cinema. Elswit’s primary lenses were C-Series lenses Sasaki had originally prepared for Steven Soderbergh’s Solaris. Additionally, the production used a full set of E-Series lenses; two modified spherical Panavision SP lenses, a 35mm and 55mm whose optics were roughly 40 years old; and a set of Super High Speed lenses (ranging from 35mm to 85mm) whose optics were based on modifications Sasaki had made to another set for Memoirs of a Geisha (AC Jan. ’06).
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